There was a time when I was a fashion model when perfection was forced and instilled into every one of my brain cells that I was unable to appreciate flaws. Especially when it came to photography, because body image was so important back then, the camera had to perfect perfection even more. You could have been a perfectly poised woman with flawless skin and a perfect figure, but the camera had to make you even more flawless and perfect. A hyper sense of perfection. And that was when all photographers shot film. Fast forward to today and the hyper-perfection is on some other trip. I look at photos now and the models look like plastic dolls. They have no hips. No breasts. They are androgynous drones chiseled with photoshop to be made into unreal versions of humanity. I find myself searching for imperfection because of it. Even if I’m photographing someone with a perfect body.
It really doesn’t matter how perfect someone’s body is in the world of art, but I see fashion influencing artists. I see photographic artists utilizing the hyperreal tools of the fashion industry in order to perfect their images. While I would never publish a photograph of a woman in a compromising view to make her seem less ideal, I want her to look good, I’m also not going to do something to compromise my vision for my own art to satisfy the status quo. I love the imperfections in film. I adore freaking out my Polaroid negatives, scratches, solarization, funky borders… they allow me to understand LIGHT what it does, how it feels. The luxury of shadows and the mystery it emboldens.
I can thank the fashion industry for shunning my eyes from their unrealistic version of woman. When I see plastic faces with no pores, I can look in the mirror and tell myself that I’m beautiful for not being a plastic doll. And I can view the art I create and be refreshed that it looks nothing like anything I see in a fashion magazine. I left fashion for a reason.
Enjoy some Polaroids and some Rollei photos I shot of model, Stephanie Anne last month.
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Veiled Shadow – model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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model: Stephanie Anne – © 2011 Zoe Wiseman
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Swan Shadow – model: Stephanie Anne – © 2011 Zoe Wiseman

Fish Haul Beach - Hilton Head Island Model: Katharine
I’ve donated this print to benefit Sendai, Japan. It will be available at The Kona Gallery in San Clemente, California this Saturday April 16, 2011. I have extended family just outside of Tokyo, so it’s also a personal uplifting thing for me to do.
412 N. El Camino Real, San Clemente, CA 92672
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NEWS RELEASE
FOR IMMEDIATE RELEASE
CONTACT INFORMATION:
Rebekah Colby, Corporate Communications
Office: +1.949.481.3747
Fax: +1.949.481.3941
Email: Rebekah@TheKONAGallery.com
9.0 JAPAN QUAKE BENEFIT: IMC, ZUMA + SAN CLEMENTE MERCHANTS TEAM UP
Silent Auction and Raffle at Free Event
SAN CLEMENTE, CALIFORNIA, U.S.–– The KONA Gallery invites you to a silent auction and raffle to raise money for the victims of the Sendai area earthquake and tsunami. Join us at The KONA Gallery and Photojournalism Center at 412 North El Camino Real, San Clemente, U.S., on Saturday April 16th from 6p.m. until 9p.m. to participate in this cause and to be apart of a silent auction/raffle and general event to remember and benefit the victims.
It has been a month since the devastating 9.0 earthquake and ensuring deadly tsunami hit Japan. The fallout is still being felt worldwide. International Medical Corps, ZUMA Press, DOUBLEtruck Magazine, plus over two dozen merchants in San Clemente area have teamed up with the KONA Gallery and Photojournalism Workshop Center to throw a benefit for the victims. The benefit will auction and raffle off over $100,000 worth of goods and services.
Scott Mc Kiernan, owner of The KONA Gallery and Photojournalism Center, has generously donated all of the Limited Edition DOUBLEtruck Magazine prints in the current exhibition of 29 Seeing Double Exhibition, the 20×30 prints are framed in museum frames, valued at $1,500 each, to be auctioned off, totaling over $ 43,000 worth. A great way to support the cause and get a beautiful photograph that tells a story that people should know.
The night is one you are not going to want to miss. The following is a list of the San Clemente companies who have contributed to the silent auction: Del Mar Beauty Supply/ Salon Bamboo, Chin’s Acupuncture, 5 Elements Spa, Sonny’s Pizza, The Cellar, Peligroso, Pizza Port, Bliss Boutique, San Clemente Wine Co, Beachfire, Skullcandy, Rainbow, Casa Tropicana, Nick’s, Hobie, Asana Fit, First Team Real Estate, Runmore, OltreMare, OC Tykes, Beach City Florist and St. Roy at Vine.
If you cannot attend in person, feel free to send a check to the gallery, put in memo: Quake Benefit.
100% of the proceeds will go to Japan, through International Medical Corps and ZUMA Press’s Tokyo Bureau. For more information about the silent auction and The KONA Gallery, please contact Rebekah Colby at +1.949. 481.3747 or email Rebekah@TheKONAGallery.com.
INTERNATIONAL MEDICAL CORPS ––Established in 1984, International Medical Corps is a global, humanitarian, nonprofit organization dedicated to saving lives and relieving suffering through health care training and relief and development programs.
THE KONA GALLERYAND PHOTOJOURNALISM CENTER––Unveiled on October 7, 2009 by photojournalist and entrepreneur, Scott Mc Kiernan, The KONA Gallery is a space dedicated to the presentation and discourse of photojournalism. The vision of The KONA Gallery has been to expose a broad audience to moving historical moments through the lens of acclaimed photographers. The center will be holding exhibits in its’ two galleries and a monthly lecture series will be held in the BIG WEDNESDAY Gallery, along with workshops thru out the year and other educational presentations.

Japan Quake Tsunami Benefit - The Kona Gallery