Ella Rose: The Story

>I’m so excited to have in my hands the fruit of several months’ coordination and the physical result of some extremely generous and kind photographers. I’m holding (well, not while typing, I suppose, but it’s here on my desk) a collection of some of my favourite images taken over the last three years, during which I’ve been practising my happy deviation into a life of art modelling.

I’ve mentioned before that I thought it was sad not to have many actual prints to show for my hard work, unlikely adventures and gloriously fun modelling frolics so far, and that computer files didn’t really cut it; and that I had decided to put together a photography book for myself to look at when I’m old (or anytime between now and then…). I’ve now managed to finish this project.

The book focuses on just one theme; it uses shots from one of my twelve website galleries, ‘Faerie’, and collects 29 natural, gentle, romantic and pure shots of me as the nude, female figure in a loose ‘garden’ setting; in tall grass, entwined in trees, in pools of water, surrounded by flowers, in faerie queen headdresses, in pre-Raphaelite forest guises, in the cool, shady dappled light of Mediterranean gardens and against huge, jurassic plants. I’ve never made a book before, so this is a great feeling, and just so wonderful to be able to own!

I’m so grateful to the photographers whose images are printed in this book, and although this was definitely created just as an indulgence for myself, as something to keep, I do have permission to make this book available for purchase. If anyone would like to buy themselves a copy, some money from each book bought goes to Amnesty. If you agree with me that physical prints are sooo much more satisfying to look at than online virtual ones, and you like the idea of owning a version yourself, having it adorn your bookshelf and perhaps provide some visual and artistic inspiration, you’re welcome to preview it online and see what you think.

Huge thanks to the following. Click on the links below to see more of their work:
Rebecca Parker
John Evans
Paul Bartholomew
Rayment Kirby
Voyages2004
Jeremy Howitt
DB Images
Dave Aharonian
Keith Cooper (website pending)
Imagesse
Robert Farnham
Gregory Brown
Michael Cordiez
Sean Buckley
and Pat Brennan

…I hope you like it. I’m so glad I finally did this and am already thinking of making a second book sometime in the not-too-distant future… Just need to choose a gallery/theme and start to gather my favourites!

>I’m just back from a very enjoyable shoot with a photographer and his wife, a couple I’ve visited quite a few times now and love to see. We did some really nice un-posed and natural, expressive nudes (inspired by Jonvelle) in their beautiful house, and it seems a fitting time to now blog about a recent day spent with another husband and wife team.

I love working with Trevor and Faye Yerbury – they produce such beautiful, classy work and are lots of fun to model for, so I was happy to be chosen to model for one of their Fine Art Nude Masterclasses the other day. As always, the photographers taking the course were all a pleasure to meet and seemed to enjoy themselves very much, snapping away with big smiles all round! The location was Pipewell Hall, an old country manor house in Northamptonshire. I was mainly stationed indoors with Faye, making the most of the building’s incredible features and furnishings, while the other model, Zoi, spent the day outdoors in the grounds with Trevor. It was really nice to meet Zoi after we’d tried but failed to meet up in Holland (where she is based most of the time, though she frequently visits the UK still) and we had a good natter over lunch. We made a good contrast as photographic subjects; Zoi with her beautiful Greek/’Amazonian’ look and me with a more ‘pre-Raphaelite’/serene style (well, that’s what Trevor said anyway!).

See here for more info on the range of workshops currently on offer by the Yerbury team: http://www.yerburystudio.com/

A few of the photographers attending have very kindly sent me some of their shots from the day. It’s interesting to see some of the different takes on the same poses. I was really happy to give my first airing to my new pointe shoes (ribbons to be sewn on very soon; old ones to be dyed black!) and although I’d only mentioned to Faye in passing that I’d brought them along while she was doing my hair at the beginning of the day, ‘ballet’ ended up being quite a strong theme for my posing, with lots of happy skirt swirling in front of the window.

These first shots are by Andrea (Pink Lily Photography) – read Andrea’s blog post about the day here:

By Maria Tanner (Lace Market Photography – see Maria’s blog post here!):

By Ian Parry AKA Maximus Operandi:

Zoi and I posing together outside at the end (first shot here by Ian Parry; colour snaps by Faye)

Trevor overseeing all:

 And a group shot (Zoi and I being silly in the middle)!

Thanks again to everyone who has sent me shots – it’s much appreciated! And to anyone reading, please feel free to let me know any favourites… Your feedback is always fun to read!

>I was booked recently to work with MaxOperandi and his friend Jules, on the grounds of Ian’s friend’s incredible country house. Despite Jules’ already accomplished portfolio, this was her first introduction to nude figure work and we worked exclusively with natural light (the weather was beautiful!! No shivering necessary!) and reflectors. I think these are some fantastic natural images, and along with Ian’s vintage bicycle (I also spent time up in a tree house, standing in a water feature and balancing in branches, which left me with bad scratches which miraculously disappeared somehow the next day!), there is a very ‘darling buds of May’ feel to this sunny set, which I love! I always wanted to be Mariette.

 (There is a serious waist-hip ratio going on above; I wasn’t sure if it was flattering at first, but I decided I like it. )

Let me know if you have a favourite!

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The infamous box – an honour to step in this small, equilateral theatre.

A beautiful bodyscape that seems to have slipped through the net of my previous post ‘Strength in the Dark’. Hip bone glory:

Then some joyful striping around. I love this effect – so amazing, especially when in the mix with some curly stray locks lolling around in front of flesh and playing shadow games.

(I think I manage to look a bit ‘eighties’, skeptical and sulky all at once in a few of those stripy portraits above. Brilliant!)

>I’m back from a very successful and enjoyable trip to Paris (more on that later, I promise!) and have some new shots to show from photographer ‘Penfoldpc‘, taken in Worcestershire last month. We had lots of fun shooting in various styles, but the following are my favourites. Paul wanted to create a very classical scene based around the natural nude. I like these a lot!

There is something about the colour red that always works so well. Just a slither of it is so beautiful!

And a quick kimono shot!